
Sunday, June 29, 2008
Lisa Jarnot's NIGHT SCENES

Tuesday, June 24, 2008
Found Art / Belgian Chair
Monday, June 23, 2008
Who was Catullus, anyway?
Catullus was born in 84 B.C. in Verona, said to have moved to Rome around 62 B.C. and probably died around 54 B.C. The manuscript that I translated, known now as The Complete Poems of Catullus was rediscovered in Catullus’ hometown around the 14th century. There is even a myth that the manuscript was found in an empty wine cask—after centuries of soaking up the spirits. In just three decades, Catullus fondled Venus herself, licked the sweat off the upper lip of Bacchus, and gave birth to a blues lyric that has battled time.
Catullus was a young, brash, salacious, and semi-famous celebrity at a time when most poetry was probably performed. Think Shelley mixed with Eminem (at his most vulgar moments) as well as political and mythological and sometimes absurd. In a great little prefatory description, Rabinowitz asks us to imagine Catullus as a “playboy in the midst of a collapsing republic—roughly the Roman equivalent of a rockstar. He could terrify a general or win a woman (or boy) just by inviting him to be the hero of a poem. Caesar begged for his friendship, and, what’s even more remarkable, Cicero shut up when he spoke.”
Catullus wrote many love poems, and he wrote many hate poems. He wrote mythology. He translated Greek poets like Sappho and Callimachus. He has a short, absurd play with two characters, one of which is the front door to a house, who tells us that the father-in-law knocked up his son’s wife in a famous political family because his son is impotent. He writes heart-wrenching poems about his brother’s death, and people that have died at war. He belittles men (mostly ex-friends and politicians) for the small size of their—well, manhood. He has poems about waking up with prostitutes and many more poems about the tumultuous relationship with his lover, or his main lover, who he names Lesbia, but is known to be the historical character Clodia, who just so happens to be the wife of a conservative consul.
Thursday, June 19, 2008
THE LONG EMERGENCY
Wednesday, June 18, 2008
Tyler Doherty

Friday, June 6, 2008
Ryan's collarbone is not connected to his...
Type III
In a Type III AC separation both acromioclavicular and coracoclavicular ligaments are torn. A significant bump is formed by the lateral end of the clavicle. This bump is permanent. The clavicle can be moved in and out of place on the shoulder. It may take 12 weeks to heal, and physical therapy can be beneficial. It may take even longer for the shoulder strength to approach feeling normal. The injured shoulder may not be able to take the abuse that it could previously, but for most purposes it will be quite usable and sufficient. However, there still is controversy as to whether or not surgery may be necessary for optimal shoulder use in sport. (photo of x-ray and info from Wikipedia)
What does this mean? It means it hurts like hell--much more than when I broke my left clavicle in high school (playing hockey). I am eating pain pills like skittles. I think I'll be able to type with two hands pretty soon (as long as I stand with the keyboard properly positioned)--but no painting. And when I stop taking pills, I'll probably be able to read more effectively.
How did this happen? I forgot I was 32, terribly out-of-shape, and as I dove for a basketball and landed awkwardly, my body fell apart. This solidifies my platonic leanings that my body is a prison.
Peace People.
Ry
Thursday, May 29, 2008
Visiting d.a. levy
d.a. levy's grave
Whitehaven Cemetery
Mayfield Heights, OH

R. E. Vision #8 / part II - for art kleps
an exodus in autumn/the white tiger has returned
the thunder & lightening is a shock for 100 miles
GOOD FORTUNE
AK of the AdriondAKs : the SPINing concepts frighten me
it is sad to be a dreamer,unable to dream
a lover unable to love
a builder denied materials
ALL Three rowed out to sea in a seive
gone,gone,gone to the other shore/
landed on the other shore, SVAHA!
GATE GATE PARAGATE PARASAMGATE BOHDI SVAHA!
oh well/ if the government wants to live on a war economy
i guess we can give them a war---------i feel a dream
death approaching, the anxiety is a bitch.
-(*)-
AMERICA WAKE UP!
GOD DOESNT WANT YOU TO KILL HIS ANGELS a
if you knew the price you will pay for this small
WAR ECONOMY NATION OF DEATH prophecy
STOP THE KARMIC MURDER PIE NOW
Worse than worshiping the golden calf you
are killing for it
consider the weight of yr possessions
america, twice this weight you will
carry when you die
for the innocent and pure of heart
i am raising the flags/ a warning of storms
Be Prepared to GO HOME LAMBS
i do not have the courage to say
this may be your last sacrifice
they will not weep on wall street
until it is too late & the tears have no meaning
there is no reason to play with death
this is not your country
when i smelled love burning/ i cried
& NOW i smell the horse of the Angel of Death
go home lambs
you are trying to build
a temple in a graveyard
YOU/have years to plan, my days are numbered
LAUGH at my fears and ignore my love
yet love & fear are the only wings to move on
when you have visited your own death
everyday is the last
GO HOME LAMBS
let yr children be born in the sun
"this country is insane"
GO HOME LAMBS
in the world of the spirit one does not
lose what he has gained.
Tuesday, May 20, 2008
Friday, May 16, 2008
Tuesday, May 13, 2008
May 15, 2008, at Max Protetch Gallery, 511 W. 22nd, NYC, from 6-8 PM
Cuneiform, Bootstrap, The Figures & Ugly Duckling invite you
to a small press party, May 15, 2008, at Max Protetch
Gallery, 511 W. 22nd, NYC, from 6-8 PM, to celebrate the
Phyllis Wat, The Influence of Paintings Hung in Bedrooms
Barbara Henning, My Autobiography
Gloria Frym, Solution Simulacra
Reed Bye, Join the Planets
Barbara Jane Reyes, Cherry
Sueyeun Juliette Lee, Mental Commitment Robots
Julie Patton, Notes for Some (Nominally) Awake
Jennifer Firestone, Waves
Geoffrey Young, The Riot Act & Pockets of Wheat
Catullus, The Complete Poems (trans. Ryan Gallagher)
John Wieners, A Book of Prophecies
Tom Morgan, On Going
Jen Bervin, The Desert
Lewis Warsh, Inseparable : Poems 1995-2005
Francesco Clemente & Vincent Katz, Alcuni Telefonini
Clark Coolidge, Space & The Book of During
Bill Berkson, Sudden Address
Ted Greenwald, Two Wrongs
Dan Featherston, The Clock Maker's Memoir
Mimeo Mimeo, edited by Jed Birmingham & Kyle Schlesinger
Nada Gordon, Folly
The Consequence of Innovation: 21st. C. Poetics, ed. Craig Dworkin
Marc Nasdor, Sonnetailia
Gary Sullivan, PPL in a Depot
Christine Hume, Lullaby
Sam Truitt, Vertical Elegies
Jack Micheline, One of a Kind
Aleksandr Skidan, Red Shifting






